I watched a Netflix series named "Unorthodox" about a Jewish woman who runs away from her husband, an Orthodox Jew, and from her New York Orthodox Jewish society and escapes to Germany. The woman later finds out she is pregnant which triggers Jewish society to attempt to compel her to return by her husband and another man who set out to find her and bring her back to New York. This signifies that the child is more valuable to Orthodox Jewish society than the woman and that Orthodox Jewish society regards the yet-to-be-born child as their property.
The most striking thing about the movie was the very positive portrayal of young German people who heartily befriended this woman and helped her to transition from her Orthodox Jewish traditions into the modern German society of youth. I had never previously perceived Germans as being particularly friendly.
The current series ends with her refusing to return to New York and her seeking to win a musical scholarship in Germany in order to pursue a career in music that had been denied to her and women in general by Orthodox Jewish society.
Her change from piano to singing in the pursuit of the music scholarship is strange in the context of Orthodox Jewish tradition:
A fundamental issue in the role of women as music makers in Jewish culture is related to the Talmudic dictum (Berachot 24a): "the woman's voice is indecent" which appears in regard to the prohibition of a male to recite a blessing or any other prayer while hearing a woman singing.